61) Roberta Flack, âThe First Time Ever I Saw Your Faceâ
No, you have not heard this! Three years before her â72 mega-hit, she recorded this lovely version in â69. The song was actually written in â57 by radical Scottish folk singer Ewan MacColl for Peggy Seeger, with whom he was having an affair.
62) The Aquarian Age, â10,000 Words in a Cardboard Boxâ
This magnificent one-off psych single in â68 was apparently meant to trash Keith West for leaving Tomorrow (and now Aquarian members Twink and John Wood) for a solo career.
63) The Golden Earrings, âBaby Donât Make Me Nervousâ
Before âRadar Love,â the Dutch band often sounded more like the Beatles than the Beatles, as it did on this track from their second album in â67.
58) The Artwoods, âBrother, Can You Spare a Dime?â
The Artwoods were founded by, yes, Art Wood, who was the older brother of future Stones guitarist Ron Wood. They were a top touring R&B band, but their success never translated to record.
âBrotherâ was a Depression-era classic made famous by Bing Crosby in 1932. Art Wood explains their â67 A-side cover version:
[Fontana Records] wanted the band to cash in on the âBonnie & Clydeâ movie. . . . They suggested it would be a great idea if we all dressed up as gangsters . . . . [W]e had a press reception . . . where stuntmen fired blanks from real machine guns. . . . It was exactly the same lineup as the Artwoods, but called the St. Valentineâs Day Massacre!
Alas, the 45 was only successful in Denmark.
Bing Crosbyâs version:
59) The What Four, âIâm Gonna Destroy that Boyâ
Sizzling â66 single by this Manhattan all-girl garage band.
The song was not the anti-male manifesto the title implies.
60) Peter Cook & Dudley Moore, âThe L.S. Bumble Beeâ
The legendary British comedy team of Peter Cook and Dudley Moore released this classic psychedelic parody in January of â67. It was so spot-on that many believed it to have actually been recorded by the Beatles. Moore later explained that:
âPeter Cook and I recorded that song about the time when there was so much fuss about L.S.D. . . . . I wrote the music to, in some ways, satirize the Beach Boys rather than the Beatles. But I’m grateful if some small part of the world thinks that it may have been them, rather than us!”
Richard Pierson says that “[n]o recording artist has more impeccable street credentials” than Bataan, who “grew up in Spanish Harlem, where he ran with Puerto Rican gangs and absorbed R&B, Afro-Cuban, and Afro-Rican musical influences.” (https://www.allmusic.com/artist/joe-bataan-mn0000117990/biography)
56) Itâs a Beautiful Day, âWhite Birdâ
This San Francisco psychedelic folk-rock band was led by violinist David LaFlamme (who had earlier been a member of the Utah Symphony). “White Bird” did well on FM radio and hit #58 in the UK in May ’70.
57) The Mike Curb Congregation, âSweet Gingerbread Manâ
Jason Ankeny says that the Congregation was a “harmony pop chorale” formed in 1969 “around the time Curb became president of MGM Records” and that, apparently, his “tenure with the label included a controversial roster shake-up that favored family singing acts like the Osmonds and the Cowsills over bands like the Velvet Underground . . . and what he had termed ‘hard drug groups'”. (https://www.allmusic.com/artist/the-mike-curb-congregation-mn0000477163/biography). Well, say what you will, but the Congregation turned this horrible Bobby Sherman song into a wonderful confection.
’70 single and title song of the album released after Honeybus had already split up. Haunting song.
53) Merry Clayton, âGimme Shelterâ
Formerly a member of Ray Charles’s Raelettes, Merry’s voice backed the Stones on the iconic “Gimme Shelter.” She then released her own version. I’m not going to say hers is the better version, but I’m not going to say it ain’t . . . . It hit #73 in July of 1970.
54) The Peppermint Trolley, âBaby You Come Rolling âCross My Mindâ
The Trolley (from Redlands, CA) sang the theme songs for Love American Style and the first season of The Brady Bunch. Even more impressive was this wonderful song, written by Jesse Lee Kincaid and reaching #59 in June ’68. “
Stone cold classic. Nuggets says this June ’66 single âis a record of such stunning power and velocity itâs practically impossible to resistâ and Vernon Joynson calls it “a wild rave-up” that is “one of the most exciting singles ever recorded in the UK.” (The Tapestry of Delights Revisited) Of course, it sold very poorly, per Joynson because 1966 ears were not remotely ready for it.
50) The Merry-Go-Round, âListen, Listen!â
’68 single by the great Emitt Rhodes’s LA band.
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51) Simon Dupree and the Big Sound, âDaytime, Nighttimeâ
OK, I admit there was no Simon Dupree — a promoter convinced the Portsmouth soul band that they would get gigs if they adopted the last name of local dignitaries. And I admit this song was popular, at least on the pirate radio stations Radio London and Radio Caroline. And I admit that it was actually a super-charged cover version of Manfred Mann’s “Each and Every Day.” So, sue me.
Norman Greenbaum was no one-hit wonder! This is just one of his other cool songs. The title says it all.
47) The Poets, âWooden Spoonâ
First, let me say that I love Andrew Loog Oldham. I loved his two memoirs — Stoned and 2Stoned. I loved his DJ stint on Little Steven’s Underground Garage. I thought Mick Jagger was a total jerk to him. However, ALO is also undeniably responsible for the shattered dreams of some of the most promising British bands of the 60’s — either because he lost interest (read: what are Mick and Keith having for breakfast?) or because Immediate Records kept getting into financial trouble. Let me just mention Billy Nicholls and . . . the Poets, Scotland’s greatest band (sorry Bay City Rollers).
The fabulous “Wooden Spoon” paired with the equally monumental “In Your Tower” to constitute the Poets’s last and last gasp single (in ’67). No silver spoon in their mouths.
48) Lee Hazlewood and Nina Lizell, âHey Cowboyâ
The legendary Lee Hazlewood went to Sweden in 1970 to make a TV show, with this duet with Nina Lizell pulled from the soundtrack. Hazlewood gave them both such great lines.
This was the B-side of Focal Point’s only single (’68). You can learn the most revealing and interesting things from a band’s liner note comments, such as: Sycamore Sid “is now considered a psychedelic classic, much to our surprise!” and that the song was an ode to John Mayall’s tree house.
The unfulfilled promise of Focal Point showed that even the enthusiastic support of one or more Beatles didn’t ensure that a group would get a decent shot at success, even in the UK (file under the Aerovons).
44) Robert Charlebois and Louise Forestier, âLa Marche du Presidentâ
Francoise Couture calls “La Marche” a “mind-expanding” and “revolutionary” rock song. She writes that his “previous album was a collection of acoustic folk songs . . . . In 1967, [he] went to California [and] came back a rock & roll dynamo . . . . A QuĂŠbec artist, used to the severeness of QuĂŠbec culture, had seen San Francisco and simply couldn’t do things the right way anymore. ” (https://www.allmusic.com/album/robert-charlebois-louise-forestier-mw0000335102) Essentially, this album was Quebec’s Sgt. Pepper’s.
45) David Peel & the Lower East Side, âI Like Marijuanaâ
Steve Kurutz in All Music Guide writes that:
[S]treet musician and John Lennon protĂŠgĂŠ David Peel seems pretty ridiculous. . . . [His] lyrics . . . are juvenile [and] dated . . . . But . . . Peel and his merry band of misfits begin to grow on you. . . . When he sings about smoking some grass and getting harassed by lame cops . . . you tend to believe him.
40) The New York Rock and Roll Ensemble, âMr. Treeâ
If you look up the definition of “twee,” any decent dictionary will cite this song. Twee in a good way — delicate and heart-breaking. Three students at Juilliard formed the band, including Marty Fulterman — who as Mark Snow would compose the X-Files theme!
41) Nick Garrie, âSt. Tropez Whoreâ
This song didn’t make the cut of the justly legendary “lost” Nightmare of J.B. Stanislas album. Nick recorded it for release in 2009.
42) Joe Tex, âBuying a Bookâ
Dave Marsh says that Tex “made his mark by preaching over tough hard soul tracks, clowning at some points, swooping into a croon at others. He was perhaps the most rustic and back-country of the soul stars . . . .” (https://www.allmusic.com/artist/joe-tex-mn0000210323/biography) In this story song, which reached #47 in May ’69 (#10 on Billboard’s R&B chart), a man of a certain age patiently answers the concerned but impertinent query of a youngster.
The band came from the Kinksâs neighborhood of Muswell Hill and the Who’s Keith Moon and John Entwistle loved them, but to no avail. This single had nothing to do with the Woodstock Festival — it was issued in late ’68. But it did include a killer Dylan impersonation.
38) Pink Floyd, âSummer â68â
’70 album Atom Heart Mother was named after a woman with an atomic pacemaker. Paul Mattâs writes that:
Summer â68â was written by Rick Wright, reminiscing about the bandâs time on tour in America. Wrights sings of emptiness following an encounter with a fan. âIn the summer of â68, there were groupies everywhere,â Wright said in Barry Milesâ Pink Floyd: The Early Years. âTheyâd come and look after you like a personal maid, do your washing and sleep with you and leave you with a dose of the clap.â You get the picture. The sound has West Coast vocal elements, as well as a return of the brass section, creating a huge sound at times.
You know the phrase âachingly beautifulâ? It perfectly describes this April 1966 #47 “hit” by the Corpus Christi pop/folk group.
35) Tintern Abbey, âVacuum Cleanerâ
The B-side to the December ’67 A-side titled “Bee Side.” Is that clear? “In any event, A + B were “arguably the finest one-off UK psychedelic 45 of all.” (Vernon Joynson, The Tapestry of DelightsRevisited).
36) France Gall, âLaisse Tomber les Fillesâ
A big star in France, the standout “ye-ye” girl (derived from the Beatles’s “yeah, yeah, yeah” refrain) sings a “brilliant rocker” that is “easily as good as any pop single produced in the U.S. or Great Britain at the time.” (Thom Jurek, https://www.allmusic.com/artist/france-gall-mn0000799466/biography).
31) The Ferris Wheel, âCanât Break the Habitâ
Per Jim Dunn, the psych-tinged soul band was “one of England’s great lost musical treasures of the mid- to late ’60s — immensely popular among club audiences [but] never able to translate their ability to win over crowds into chart success . . . .” (https://www.allmusic.com/artist/the-ferris-wheel-mn0000763177) This ’67 single deserved so much better.
32) The Fleur De Lys, âMud in Your Eyeâ
Nuggets II calls this ’66 single “milestone U.K. freakbeat.” Yup.
33) The Birds, âYouâre on My Mindâ
Blame the Byrds for their clipped wings, and see Ron Wood (writer of this ’64 single) soar with the Faces and the Stones.
The lovely theme song for The Family Way, a ’66 UK comedy-drama about newlyweds. Paul and George (Martin) wrote the film’s score with time on their hands after the Beatles stopped touring and John went off to film How I Won the War.
29) John Lennon, âChild of Natureâ
Of course it sounds familiar — think âJealous Guyâ on the Imagine album, but John actually wrote the music on the Beatles’s trek to India.
30) The Idle Race, âDays of Broken Arrowsâ
This May ’69 single flopped. Jeff Lynne went on to dominate the 70’s.
This was the B-side of the Liverpool band’s (named after an English highway exit to Liverpool) October ’67 single. One of the most gorgeous songs I have ever heard.
23) Minnie Riperton, âLes Fleursâ
The song is from her first solo album, before she became famous in the 70’s and died tragically at 31. Jason Ankeny calls the album “chamber soul” and the song as “embracing both intimacy and majesty to haunting effect.” (https://www.allmusic.com/album/come-to-my-garden-mw0000220490) Yup.
24) The Holy Mackerel, âWildflowersâ
The group was notable for being led by 70’s uber-presence Paul Williams, but this song was written by former Jefferson Airplane bassist Bob Harvey (who left the band before the associated album was completed).
A young band from St. Louis writes a wonderful and haunting song, gets signed by EMI and gets to record the song (and an entire album’s worth of material) in England at the Abbey Road studios . . . the single is released to little attention and the album remains unreleased for decades.
17) Jotta Herre, âPeninaâ
You can’t make this stuff up: Late in 1968, a Portuguese band is playing at the Penina hotel in Portugal, where they met a drunken Paul McCartney. He ends up getting up and playing with them, and offers them a song — “Penina” — which he had written on the spot. The song was never released as as single in the U.S.
18) Lee Mallory, âThatâs the Way Itâs Gonna Beâ
Sunshine pop legend Lee Mallory (of the Millenium) releases a song by folkies Phil Ochs and Bob Gibson. His version, unrecognizable as a folk song but a sizzling pop creation, makes it all the way to . . . #86 (but #2 in Seattle and #1 in Holland).
This was the glorious B-side of the November ’67 “Apples and Oranges” single, written not by Syd Barrett but by Richard Wright.
14) The Carrie Nations (Lynn Carey), âIn the Long Runâ
Surprisingly great song from Roger Ebert and Russ Meyer’s camp classic Beyond the Valley of the Dolls, “performed” on film by the Carrie Nations, actually sung by Lynn Carey.
15) Chris Britton, âFly with Meâ
From the self-proclaimed ’70 “ego trip” solo album by the Troggs’s guitarist.
10) Merrell Fankhauser and H.M.S. Bounty âGirl (Iâm Waiting for You)â
Of the West Coast pop-psych album from which I drew this song, Fankhauser himself says that it is “one of the rare lost psychedelic gems of the late 60’s.” Presumptuous, but I agree!
11) Dana Gillespie, âYou Just Gotta Know My Mindâ
Dana Gillespie, later to become a prolific blues singer, was discovered by Donovan. He wrote this smoking song and it was produced by Jimmy Page.
12) Los Madâs, âIâve Got that Feelingâ
Mick Jagger and Keith Richards saw this Peruvian band perform at a party on the Lima beach of Ancon, which got them invited to England. They recorded demos that were finally released decades later — this song was written by Ray Davies and appeared on a few early Kinks albums. The Mad’s give the song true feeling, and outdo the original.
9) Davy Jones, âYouâve Got a Habit of Leavingâ
No introduction necessary. Davy Jones, not Davy Jones the Monkee, but Davey Jones the David Bowie. His third single, from August ’65, yes 1965, with the Lower Third.
Brian Epstein picked their name . . . John Lennon loved them . . . but they only released one single (and this song wasn’t on it). Apple lost interest . . . what a shame.
5) Factory, âPath Through the Forestâ
The Nuggets liner notes proclaim this October ’68 single to be “as memorable as it is obscure” and creating a âmagical, otherworldly mood.â Yup, yup.
6) The Honeybus, âI Canât Let Maggie Goâ
“Maggie,” written by Pete Dello, made it to #8 in the UK charts in March of ’68. But Pete didn’t want to be a rock star and quit the band! Honeybus nevertheless created more wonderful music, but without the success.