316) Etta James — “Watch Dog”
Big Mama Thornton and Elvis, please move aside. Etta James’s “Watch Dog” is R&B’s and rock ‘n’ roll’s true killer canine. The song — written by Don Covay — is “feverish” and “snarls with rock ‘n’ roll energy” (Charles Hughes, https://68comebackspecial.wordpress.com/2018/09/14/etta-james-tell-mama/). Dave Writz used it to epitomize James in his essay accompanying her to the Rock and Roll Hall of Fame:
If rock & roll is rooted in teenage passion, teenage rebellion, teenage restlessness, teenage sexuality — then Etta James is a rock & roller to the bone. Starting out as a teenage phenomenon in the Fifties, she sang with a raw, unharnessed energy that matched her male counterparts. . . . Etta’s erotic audacity echoed the raunch of sisters like Bessie Smith and Ma Rainey, but in any era she would be considered a front-line feminist, a womanchild strong enough to dramatize the outrage of her gender, to break old chains and signify, “I don’t want a watchdog . . . I want a man.”https://www.rockhall.com/inductees/etta-james
“I’ve never seen a man sneaking and a-hiding when he should be out working and providing.” Ouch!
Who was Etta James? This is not the place for an extensive biography, but let me quote Mark Deming, who writes in All Music Guide that:
Jerry Wexler once called [Etta] “the greatest of all modern blues singers,” . . . [But] despite possessing one of the most powerful voices in music, James only belatedly gained the attention of the mainstream audience, appearing rarely on the pop charts despite scoring 30 R&B hits, and she lived a rough-and-tumble life that could have inspired a dozen soap operas, battling drug addiction and bad relationships while outrunning a variety of health and legal problems. . . . James’ career went into a slump in the mid-’60s, but in 1967 she . . . bounced back onto the R&B charts with the tunes “Tell Mama” and “I’d Rather Go Blind.”
Those songs appeared on her Tell Mama album (which reached #82 in ’68, with “Tell Mama” the A-side hitting #23 (#10 R&B) in November of ’67). The album also included “Watch Dog.” Bill Dahl says, also in AMG:
Leonard Chess [had] dispatched Etta James to Muscle Shoals in 1967, and the move paid off with one of her best and most soul-searing . . . albums. . . . The skin-tight session aces at Fame Studios really did themselves proud . . . .
“My man is a watch dog, yeah. I don’t want no watch dog, I want a man. I don’t want no watch dog, I want a man right now. I don’t want no man of mine everywhere I go, now, he’s a-right behind. I don’t want no watch dog, I want a man. Every time I visit my girlfriend’s house, he sends his baby brother to check me out. I go outside to sweep in my front yard. He stands over me like a prison guard. I’ve never seen a man sneaking and a-hiding when he should be out working and providing. He’s a watch dog. Yeah, he’s a watch dog. We go out to party on a Saturday night. You’re so jealous you start a fight. I’m asked to dance, you almost die. You watch over me like the FBI. . . . I’m never gonna lie. I never did cheat. I’m in this with you for my best years. When a man accuses you of somebody else, he’s trying to cover up for what he’s doing himself. . . . The man is a watch dog. He’s a hound dog. He’s a snooping dog. He’s a nosy nosy hound dog.”