THE GREATEST SONGS OF THE 1960s THAT NO ONE HAS EVER HEARD
678) The Collage — “Any Day’s a Sunday Afternoon”
‘67 A-side is a self-written soft pop psych masterpiece by the Collage (see #415). Richie Unterberger feels that the song’s “psych-pop-circus feel . . . might have made for the best attempt at a hit single” for the band. (https://www.allmusic.com/album/the-collage-mw0002103702)
Unterberger gives us some history:
Part of the idea behind the formation of the Collage was to emulate the Mamas and the Papas’ lineup with a two-man, two-woman quartet of harmonizing singers. The group’s sole . . . album . . . has a yet more pronounced sunshine pop feel, as well as yet lusher production . . . . The songs have a sweeter tone, almost as if elements of the Mamas and the Papas and the 5th Dimension have been layered with production and songwriting a little more oriented toward an adult pop/variety entertainment audience. . . . There are some mild psychedelic touches, but also some hammy vaudevillian ones, and . . . the original songs had showtune-style melodies.https://www.allmusic.com/album/the-collage-mw0002103702
When Ron [Joelson] met Jerry [Careaga], according to Jerry:
[Ron] was a hippie poet, smoked grass, and, as a teenager, was friends with Bob Dylan. I was his polar opposite — with a short-haired, clean-shaven look courtesy of the Air Force — and was fascinated with his lifestyle and what he wrote. Ron’s poems were unstructured and freeform, with unusual metaphors. My songs were structured and commercial-sounding. I had begun writing in the mid-’50s as a teenager, but as a result of my military upbringing, I never ventured into the subversive culture of the beat generation. I didn’t smoke dope either. Ron’s lifestyle was all new to me, and it was fun.liner notes to the CD reissue of The Collage
Here they perform on TV:
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