THE GREATEST SONGS OF THE 1960s THAT NO ONE HAS EVER HEARD
544) McCully Workshop — “Rush Hour at Midnight”
A cool boss’s nova rock track . . . from South Africa?! McCully Workshop, Inc. (’70) was the “superb South African band’s stunning debut album.” (The Forced Exposure website, https://mccullyworkshop.wordpress.com/about/) “Of all the albums we’ve heard from South Africa this one is topscore. What a beautiful masterpiece. Pepper-influenced underground music with great songs, lovely vocals, strong harmonies, great distorted guitarwork.” (Psychedelic-Music.com, https://mccullyworkshop.wordpress.com/albums/mccully-workshop-inc/)
Brian Currin writes that:
McCully Workshop is arguably one of South Africa’s finest pop rock bands. They started way back in the ’60’s, dominated the South African airwaves in the ’70’s, continued through the ’80’s and ’90’s and in the 21st century are still going strong.https://mccullyworkshop.wordpress.com/about/
Currin provides some more history:
The McCullagh brothers, Tully . . . and Mike . . . . started as a folk-rock trio [in ‘65] with Richard Hyam and called themselves the Blue Three. Richard had been in a folk duo, Tiny Folk, with his sister Melanie. . . . “I had my own studio in the garage since I was 12” remembers Tully. . . . The brothers’ father, radio personality Michael Drin (his stage name), painted the name “McCully Workshop, Inc.” on the garage wall. “McCully” was an easier-to-spell version of McCullagh and the “Inc.” was a tongue-in-cheek addition. . . . Mike McCullagh [says] “In 1969 I was 22 and Tully was 16, along with Richard Hyam, his sister Melanie and Allan Faull the group started.” . . . Tully wrote ‘Why Can’t It Rain’ in the middle of the night and this became a hit single putting McCully Workshop on the charts for the first time[ and] dr[awing] the attention of the Gallo label, and they said they wanted an album. McCully Workshop signed probably the first independent licensing deal with a major label in South Africa. The ‘Inc.’ album shows a variety of styles and influences including The Beatles, Frank Zappa and Pink Floyd. “’Sgt Pepper’ was very important, as were the pop charts at the time”, recalls Tully. Another big influence, according to Tully, was The Moody Blues ‘Threshold Of A Dream’ which was released in April 1969.https://mccullyworkshop.wordpress.com/albums/the-best-of-mccully-workshop/
“Rush hour. Rush hour. . . . Everybody rushes out to see the sun, lighting out the moon as it goes on its run. This is probably the greatest thing tonight. . . . Where’s it go? Where’s it go? Where’s it go? Where’s it go? . . . That’s were it goes. That’s where it goes. That’s where it goes. . . . Rush hour at midnight. Rush hour at midnight.”
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