THE GREATEST SONGS OF THE 1960s THAT NO ONE HAS EVER HEARD
1,559) The Mockingbirds — “How to Find a Lover”
Maybe he’s gonna buy you a mockingbird, but he couldn’t buy Graham Gouldman’s [see #226] Mockingbirds a hit. This “very catchy” (HorseMouth, https://rateyourmusic.com/release/single/the-mockingbirds/how-to-find-a-lover-my-story.p/) “strong, upbeat pop song [is] made distinctive by the stop-and-start arrangement and unusual jangling guitar hook behind the chorus”. (Mike Stax, liner notes to the CD comp Nuggets II: Original Artyfacts From The British Empire And Beyond 1964-1969) It was the band’s final A-side, and “[w]hile Gouldman didn’t write [it], it’s very much suited to his style, and . . . you can probably file it under freakbeat for its garage-y approach and psych-tinged chorus.” (HorseMouth, https://rateyourmusic.com/release/single/the-mockingbirds/how-to-find-a-lover-my-story.p/) It was written by Peter Cowap, later of Herman’s Hermits (see #300, 613, 639, 841).
Mike Stax tells us:
Graham Gouldman’s worldwide success as a songwriter had completely overshadowed the activities of his own group . . . . While that band continued to release records, Gouldman’s best songs were earmarked for proven hitmakers like The Hollies, Dave Berry, and Herman’s Hermits, and he was embarking on a sporadic solo career. . . . Soon after [“How to Find a Lover”‘s] release, the group disbanded . . . .
liner notes to Nuggets II: Original Artyfacts From The British Empire And Beyond 1964-1969
Dave Thompson gives us some history:
The Mockingbirds were formed by Graham Gouldman in late 1964, following the breakup of the earlier Whirlwinds. The lineup included two fellow members of that band, bassist Bernard Basso and guitarist Steve Jacobsen, plus drummer Kevin Godley from another recently disbanded Manchester group, the Sabres. The stage was set for perhaps Britain’s greatest should have but didn’t band of the mid-’60s. Throughout that period, after all, Gouldman was writing some of the most successful and individual hits of the entire decade — but not one of them brought the Mockingbirds success. Their bad luck commenced immediately. Signing to Columbia, the Mockingbirds announced their debut single would be “For Your Love,” a song Gouldman wrote in the changing room of the men’s clothing shop where he worked. Columbia, however, had other ideas; they rejected it in favor of another Gouldman original, taped on the same day, “That’s How It’s Gonna Stay.” It bombed, even as the rejected song resurfaced on the same label, courtesy of the Yardbirds, after Gouldman hand-delivered it to the band in their dressing room at a London gig. A second Mockingbirds single, “I Can Feel We’re Parting,” went nowhere, even as the Yardbirds soared high with further Gouldman compositions “Heartful of Soul” and “Evil Hearted You.” The Hollies scored with his “Look Through Any Window,” but a Mockingbirds single for Andrew Loog Oldham’s Immediate label, “You Stole My Love,” sank without trace. The group became the regular warm-up band for BBC television’s Top of the Pops, which was then being filmed in Manchester, and Gouldman himself spent more time on the U.K. chart during 1965-1966 than anyone outside of the Beatles/Rolling Stones. Jeff Beck, Cher, the Shindigs, and Herman’s Hermits all recorded, or were preparing to record, Gouldman compositions, with Peter Noone recalling, “Graham wrote “No Milk Today,” “Listen People,” “East West,” “Ooh She’s Done It Again”; he was just a phenomenal songsmith. I mean, everything he played to me, I loved. And it’s the construction. We turned down Carole King songs and Neil Diamond songs, but we never ever turned down a Graham Gouldman song.” He was mystified by the Mockingbirds’ lack of success, and Gouldman himself admits that he was baffled. Signing to Decca, two further singles, “One By One” and “How to Find a Lover,” went nowhere, and Gouldman reflected, “I was writing songs for everybody and anybody, but everything the Mockingbirds recorded was a failure and everything I gave away was a hit. Gradually I realized that the Mockingbirds weren’t going to make it, that there was some vital chemistry lacking.” He broke up the band in mid 1966 and prepared to launch a solo career — he also joined the Mindbenders [see #496, 1,253] for a short time before linking with that band’s Eric Stewart as owners of the Strawberry Studios setup. Drummer Godley, meanwhile, teamed with fellow ex-Sabre Lol Crème in the duo Frabjoy and the Runcible Spoon [see #968, 1,147], before they, too, became part of the Strawberry setup. In 1972, the four then combined as 10cc.
https://www.allmusic.com/artist/mockingbirds-mn0001271382#biography
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