THE GREATEST SONGS OF THE 1960s THAT NO ONE HAS EVER HEARD
1,492) The Orange Machine — “Dr. Crippen’s Waiting Room”
This ’68 B-side is the Dublin, Ireland band’s (see #1,240) “finest moment, with superb fuzz guitar and vocals” (Vernon Joynson, The Tapestry of Delights Revisited), “ace”, “[a] sinister psychedelic popbiography of an American physician hanged in . . . 1910 for the murder of his wife and famously captured with the help of that new-fangled wireless telegram system.” (Dr Doom, https://www.45cat.com/record/7n17680)
As to the Orange Machine, Acid Drops, Spacedust & Flying Saucers tells us:
One of the more regional outposts of psychedelia during the late ’60s was the Irish club scene, which spawned such acts as The Method (subsequently Andwella’s Dream [see #714, 770, 1,037]) and the Orange Machine, who had an Irish Top 20 hit 45 in July 1968 with faithful covers of two Tomorrow [see #72] songs, “Three Jolly Little Dwarfs” and Real Life Permanent Dream” [see #1,240]. Their second and last single coupled a creditable rendition of the Traffic track “You Can Also Join In” with [“Waiting Room”], a bizarre “tribute” to the first murderer to be apprehended by the use of radiotelegraphy. Written by group members Jimmy Greeley (drums) and Robin Crowley (lead guitar), the choppy Eastern-tinged rhythms and prototypical hard rock sound hinted at a strong individual identity, but they failed to record again in their own right.
liner notes to the CD comp Acid Drops, Spacedust & Flying Saucers: Psychedelic Confectionery from the UK Underground 1965-1969
Irish Showbands adds:
Their single “Three Jolly Little Dwarfs” was one of the best Irish “psychedelic” singles and reached No.14 in the Irish charts. It and its follow-up “You Can All Join In” are keenly sought by collectors worldwide. Ernie Durkin later joined Gentry, Tommy Kinsella joined the Cotton Mill Boys and drummer Jimmy Greally became a successful radio broadcaster. Lead guitarist was Robin Crowley.
[Ernie Durkin]: I think the Orange Machine was a great group. We had some original songs that did not get recorded because of the break-up of the group, we were all very young and did not know what we really had. What we needed was a good manager to keep us on the right track and give us some direction – then maybe the group could have stayed together and made some more recordings. We could have been one of Irelands top original groups. We had a really original sound, and everyone complemented each other.”
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