THE GREATEST SONGS OF THE 1960s THAT NO ONE HAS EVER HEARD
847) The Humblebums — “Her Father Didn’t Like Me Anyway”
This unforgettable song is my favorite by the Humblebums (see #556), and one of John Peel’s favorites too. (https://peel.fandom.com/wiki/Humblebums). Penned by Gerry Rafferty, it is “the most exquisite song I know examining the bittersweet persistence of the Ghosts of a former romantic relationship. . . . a song that, once heard, will always linger in your heart. . . . rich and resonant” (Thom Hickey, https://theimmortaljukebox.com/2017/10/31/gerry-rafferty-her-father-didnt-like-me-anyway/), “wistful” and “a particular gem”. (Stewart Mason, https://www.allmusic.com/album/humblebums-mw0000852108)
Rafferty reminisced that:
I have fond affections for th[e song], and it brought me to prominence in Scotland. . . . When I was 19, I had a girlfriend whose father didn’t approve of her being courted by a scruffy, itinerant, down-at-heel musician with no future. He wanted someone in the professions for his ideal son-in- law, and the song was born out of that. We did eventually marry and I even become friends with her father. He grew to like the song . . . .
https://recordcollectormag.com/articles/the-right-moments-gerry-rafferty
Stewart Mason notes regarding the album from which the song is drawn:
Rafferty . . . turned the duo’s original trad folk aesthetic into a prettier, poppier sound. . . . That dichotomy continues throughout, with Rafferty’s unapologetically pop songs and [Billy] Connolly’s folk- and blues-based tunes alternating. Truthfully, Rafferty’s songs are better, with their lightly psychedelic arrangements suiting his whimsical lyrics. . . . [His] six songs . . . are uniformly excellent . . . .
https://www.allmusic.com/album/humblebums-mw0000852108
And Dangerous Minds adds:
The New Humblebums . . . began to achieve far greater success with their mix of Rafferty’s plaintive vocals and melodies and Connolly’s upbeat tunes and fine guitar playing. That same year, the duo released their first record together and band’s second album, The New Humblebums. The album was a major-hit in Glasgow and was well-received nationally. . . .
https://dangerousminds.net/comments/when_gerry_rafferty_and_billy_connolly_were_the_humblebums
Steve Huey provides some history of the clan:
Scottish folk outfit the Humblebums aren’t perhaps as well known as their two main individual members: Gerry Rafferty, who later scored hits with Stealers Wheel and as a solo artist, and Billy Connolly, who left music to become an internationally successful stand-up comedian. Connolly actually founded the group in 1965, along with guitarist Tam Harvey; both had been regulars on the Glasgow folk circuit . . . . The duo quickly became a popular attraction in Glasgow’s folk clubs, particularly as Connolly honed his humorous between-song patter . . . . After a few years of local celebrity, the Humblebums recorded their debut album . . . split between traditional folk songs and Connolly originals. Not long after[,] . . budding singer/songwriter . . . Rafferty approached the duo after one of their gigs for feedback on his original songs. He wound up being invited to join . . . . Rafferty’s songs soon took a prominent place in their repertoire, which led to friction with Tam Harvey; he departed around half a year [later]. Toward the end of 1969, [Rafferty and Connolly] entered the studio together and cut the second Humblebums LP . . . . With Rafferty’s pop instincts, the Humblebums grew more popular on the live circuit than ever, and they recorded another album in a similar vein . . . . However, there was growing dissension . . . Rafferty’s material had a more serious bent than Connolly’s lighthearted, dryly witty offerings, and Connelly’s comedy bits were taking up a large portion of the Humblebums’ stage show, to the point where Rafferty wanted him to cut the comedy altogether. . . . [T]he Humblebums broke up in 1971. Rafferty moved on to Stealers Wheel, best known for their hit “Stuck in the Middle With You,” and later went solo, scoring a huge hit with “Baker Street.” Connolly . . . in a few short years became one of the most popular comedians not only in Scotland, but the whole U.K. . . .
https://www.allmusic.com/artist/humblebums-mn0000766545
Michael Gray talks of Rafferty’s childhood:
Rafferty was born in Paisley, near Glasgow, an unwanted third son. His father, Joseph, was an Irish-born miner. His mother . . . dragged young Gerry round the streets on Saturday nights so that they would not be at home when his father came back drunk. They would wait outside, in all weathers, until he had fallen asleep, to avoid a beating. “If it wasn’t for you, I’d leave,” Mary told Gerry. Joseph died in 1963, when Gerry was 16. That year, Gerry left St Mirin’s academy and worked in a butcher’s shop and at the tax office. At weekends, he and a schoolfriend, Joe Egan [with whom he later formed Stealers Wheel] played in a local group, the Mavericks. . . . after Gerry’s song Benjamin Day failed as a Mavericks single, Gerry and Egan quit the group and Gerry joined Connolly’s outfit, the Humblebums . . . .
https://www.theguardian.com/music/2011/jan/04/gerry-rafferty-obituary
And Seamus Dubhghaill adds:
Inspired by his Scottish mother, who teaches him both Irish and Scottish folk songs, and the music of Bob Dylan and the Beatles, [Rafferty] starts writing his own material. . . . In the mid-1960s Rafferty earns money busking on the London Underground. In 1966 he meets fellow musician Joe Egan and they are both members of the pop band the Fifth Column.
https://seamusdubhghaill.com/tag/the-humblebums/
Here are Shane MacGowan and the Popes with an absolutely stunning version:
Here is Roddy Hart, at a memorial concert for Rafferty. Haunting:
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