Nirvana — “Rainbow Chaser”: Brace for the Obscure (60s rock)! — June 14, 2024

THE GREATEST SONGS OF THE 1960s THAT NO ONE HAS EVER HEARD

1,238) Nirvana — “Rainbow Chaser”

Nirvana’s (see #287, 391, 475) only UK charting (#34) song was a “made in heaven collision of phased orchestra, ethereal vocals, shamanist lyrics and jaw-dropping melody that remains [the Irish/Greek duo’s] defining pop-psych moment”. (David Wells, Record Collector: 100 Greatest Psychedelic Records: High Times and Strange Tales from Rock’s Most Mind-Blowing Era)

Oregano Rathbone writes that:

[“Rainbow Chaser” was an] unjustly middling . . . chart placing for the beautifully warped blare of . . . phased brass and timpani in June 1968. . . . It would come to define Nirvana, [an] imperious, Bond-in-a-centrifuge [song] . . . . With its luxuriant phasing, described by [Patrick] Campbell-Lyons as “a beautiful accident”, it’s Top 40 placing in June 1968 constituted a blazing sunset for the psych era and provided a welcome profile boost. “When Rainbow Chaser became a hit, it took us to another level. We travelled to promote ourselves live in Europe with the resident radio orchestra musicians, playing from our arranger Syd Dale’s written parts.”

https://recordcollectormag.com/articles/nirvana-uk

David Wells writes that “Nirvana’s sound involves “mystical, gently romantic lyrics . . . [with a] breathy falsetto and a gorgeous combination of soft psych/pop melodic flair and baroque-flavoured arrangements that incorporated the use of cello and French horn.” (Record Collector: 100 Greatest Psychedelic Records: High Times and Strange Tales from Rock’s Most Mind-Blowing Era)

Let me sprinkle some more Oregano:

Nirvana, the nonchalantly enigmatic duo of Patrick Campbell-Lyons and Alex Spyropoulos . . . . releas[ed] a brace of the most airily accessible and mercilessly hooky albums to have floated into being in the culturally charged domain of 1967 and ’68, without sacrificing a neutrino of integrity. . . . [We must] ponder anew why Nirvana didn’t make a deeper impression on the malleable hearts of the record-buying public. They fared rather better in mainland Europe, admittedly, where their billowing, romantic, sumptuously arranged and gracefully baroque compositions were tailor-made for trailing fingers in petal-strewn lakes on warm nights and contemplating Greco-Roman statuary. Nevertheless, their comparatively brief entry in the historical record remains mystifying when they were the perfect panacea for intense times. [A]n ambrosial, benevolent air blew over them and lightly draped a paisley pattern over most everything they recorded. Theirs was a sonic picture unassailed by acid horrors . . . . For the most part, this was sweet-natured, serenely uplifting mood music for the watering of ferns and the lighting of joss sticks; and even in the hard light of 1968, when the compass-overboard hedonism of the previous year had tipped over into revolution, riots and a return to rock, you still had the option of sinking into Nirvana’s plushly-upholstered sound cave of incense, patchouli, silks and satins after a hard day at the barricades.

https://recordcollectormag.com/articles/nirvana-uk

Was that a bit tongue-in-cheek? Who knows, but don’t bogart the patchouli.

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